Playing With Complexity
Making Visible the Invisible: Kars Alfrink’s (a.k.a Leapfrog) brilliant slides and notes on data visualization and information design: Playing with complexity.
Making Visible the Invisible: Kars Alfrink’s (a.k.a Leapfrog) brilliant slides and notes on data visualization and information design: Playing with complexity.
Elegant ideas — products, services, performances, strategies, whatever — all have some degree of these four elements: symmetry, seduction, subtraction, and sustainability. Guy Kawasaki interviews Matthew E. May on his recent book: The Pursuit of Elegance. +.
NYT on typographical changes in American road signs: an article and slideshow. [via: notcot]
“When designing brands, I believe the identity should be as simple as possible, telegraphic and single-minded.” Debbie Millman on designing brands.
Sensing a deluge of font overexplotation, nonetheless introducing: DIN Next™ by Akira Kobayashi. Noteworthy alternative to FF DIN or a dozen other dins.
Notes in the margin of Design Writing Research & On Writing Well: The Economist Style Guide (the title speaks for itself) and How we work: “We’re interested in the habits, rituals and small (and occasionally big) methods people and teams use to get their work done. And in the specific anecdotes and the way people describe their own relationship to their own work. Here’s a list of some stories and habits.”
So you know: The full listing of 2009 ReBrand 100 Global Awards Winning Brands. In rare cases even a crappy logo can’t hinder well-crafted identity system. Though, for others there’s no hope.
The Type Directors Club 2009 Winners: 18 winning entries and Typography 29 Winners.
“Design takes into account people’s needs and concerns, helping them live better within the broad context of the world; it maximizes the available means to achieve the most satisfying outcome, and produces culture in the process.”
Paola Antonelli: Core Principles: How science can help form a theory of design.
We intend to become a good resource of graphic and typographic posters to serve all your research needs – either historical or inspirational. So, here you have it: typographicposters.com .
Should a logo be self-explanatory? It is only by association with a product, a service, a business, or a corporation that a logo takes on any real meaning. It derives its meaning and usefulness from the quality of that which it symbolizes. Paul Rands’ Thoughts on Design. [via subtraction.com]
idiologie.com is an obsessive collection of my thoughts & findings, focusing extensively on branding and corporate identity.
I’m a graphic designer specializing in corporate branding and digital media. Some of my works are available at: www.helen.pl.
Networks:
LinkedIn / Readernaut / Twitter.
1 connaissance de l'individu par découverte de ses particularités
2 denoting an interest in ID & branding
[ORIGIN from Greek idios ‘own, distinct’ & French -logie or medieval Latin -logia, from Greek]
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