Idiologie / branding & everything else

Alior Bank identity

The reason angels can fly is because they take themselves lightly.
[G. K. Chesterton]

Carlo Tassara International, an Italian financial group, is setting up a new bank. The Alior Bank is planning to launch with a total of 200 outlets across all voivodships, targeting at 2-4 percent of the market share. The scope of the enterprise makes it one of largest FDI projects in Poland. With the initial capital of of 400 mln euro, it is the biggest financial venture Europe has seen in the last 25 years.

The new brand is presumed to stress innovation, simplicity and the high speed of its services. As Wojciech Sobieraj, the bank’s CEO, states it: “We’re certain, that our logotype thoroughly demonstrates our values: passion, professional approach, innovation and respect. At the same time it relates to tradition, confidence and trust.

The logo, based on cropped, baroque-like angel symbolizes safety and security, whereas yellow/gold-burgundy color scheme represents, well, gold, sun and prosperity (for gold), and experience and quality (for burgundy). The illustration itself was crafted to resemble copperplate and guilloche patterns usually featured on banknotes to add the brand some credibility. The typeface is classically roman in proportion, yet contemporary. The visual identity was designed by the White Cat Studio. As for the name, Alior is said to connote the classics and or means gold in french.

So much for official press releases.

The logo certainly is elegant and resembles banknotes and such, successfully balancing between being friendly and having the authority, which is a good thing for a retail bank. The illustration is direct and confident, easily delivered on newsprint or any other applications. Additionally, it won’t lose its appeal when rendered in black and white (although I can hardly imagine it on a pen).

I’m not particularly struck by typography though. The A serif supposedly was designed as a fine touch, but it brings additional clutter to already unstable wordmark composition. Setting bank in a lighter typeface and darker colour makes the alior part wavering somewhere between the middle and the bottom.

The mark risks being broken into two separate parts, the angel side being treated as an imagery rather than a logo per se. Implementation design will be definitely important as the burgundy square wordmark itself will not ensure strong visual presence.

In spite of minor flaws, the overall effect is quite impressive and undoubtedly stands out in the conservative financial brandscape.

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Ogilvy’s principles of management

1. Remember that Abraham Lincoln spoke of life, liberty and the pursuit of happiness. He left out the pursuit of profit.
2. Remember the old Scottish motto: “Be happy while you’re living, for you are a long time dead.”
3. If you have to reduce your company’s payroll, don’t fire your people until you have cut your compensation and the compensation of your big-shots.
4. Define your corporate culture and your principles of management in writing. Don’t delegate this to a committee. Search all the parks in all your cities. You’ll find no statues of committees.
5. Stop cutting the quality of your products in search of bigger margins. The consumer always notices — and punishes you.
6. Never spend money on advertising which does not sell.
7. Bear in mind that the consumer is not a moron. She is your wife. Do not insult her intelligence.
[via: Patricia Sellers]

For the Love of Culture

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Lawrence Lessig’s, as always insightful essay on Google, copyright and our future.

Milton Glaser: Ten things I have learned

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2 If you have a choice never have a job.
3 Some people are toxic avoid them.
4 Professionalism is not enough or the good is the enemy of the great.
5 Less is not necessarily more.
6 Style is not to be trusted.
7 How you live changes your brain.
8 Doubt is better than certainty.
9 On aging.
10 Tell the truth.
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