Idiologie / branding & everything else

People I admire

Apparently Pawel Tkaczyk patted me on the back in his post. I’ve immediately felt obliged to share such a list myself. So here it is: my personal pantheon of the greats I’ve had privilege to meet in my professional life.

Andrzej Tomaszewski. The Typographer.
[pronounced as: Andrzej Tomaszewski point THE Typographer (capital T!) point].
To say that his designs are elegant, flawless, or impeccable, would be an understatement. I suppose that there’s a level of perfection and elegance, that can be only described by the word: virtuosity. I had the pleasure of meeting him during last year’s KrakTypo, and was literally blown away by his vast knowledge and commitment to share it.

Lukasz Dziedzic, type designer.
In essence, Lukasz is like lowercase “g” from Helga: slightly eccentric & rebellious, eminently agile and above all incredibly enchanting. Every single font he designs has this intangible feature commonly described (for lack of a better word) as coolness. He just told me that he’d rather be vanishingly-gray than portrayed, so I’ll keep it short: when I grow up, I hope I’ll draw at least a single glyph like he does.

Marcin Wolny, co-owner of Studio Otwarte, a graphic designer himself.
I doubt I’d be where I am today if not for the immense creative freedom and autonomy I’d received while working at SO. No matter how strong the dissent or how heated the discussion had been, as long as I could reasonably justify a concept and its execution, I had his full support, even if personally he would not agree. The most important lesson I’ve learned from him: when leading a design team, your role is to water rather than weed.

Last but definitely not least:

Karina Wieczorek, inspirer.
Karina is not a designer (although she’s got much to do with design in her job). We’ve known each other inside out for years now, so rather than elaborate on what a great friend she has been, I’ll quote her colophon: “Glenn Gould once said “The purpose of art is not the momentary ejection of adrenaline, but rather the lifelong construction of a state of wonder and serenity.” I have no ambition of being an artist, but I find the feeling, which is a cross between curiosity, joy and surprise to be the best inspiration and antidepressant.” She’s been my first reviewer and her visual intuition has prevented me from sheer ugliness several times. And one of the most joyful and inspiring of people I’ve ever met.

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Ogilvy’s principles of management

1. Remember that Abraham Lincoln spoke of life, liberty and the pursuit of happiness. He left out the pursuit of profit.
2. Remember the old Scottish motto: “Be happy while you’re living, for you are a long time dead.”
3. If you have to reduce your company’s payroll, don’t fire your people until you have cut your compensation and the compensation of your big-shots.
4. Define your corporate culture and your principles of management in writing. Don’t delegate this to a committee. Search all the parks in all your cities. You’ll find no statues of committees.
5. Stop cutting the quality of your products in search of bigger margins. The consumer always notices — and punishes you.
6. Never spend money on advertising which does not sell.
7. Bear in mind that the consumer is not a moron. She is your wife. Do not insult her intelligence.
[via: Patricia Sellers]

For the Love of Culture

“For 75 percent of the eighteen million books in our libraries, the rule of the plaintiffs would have been a digital death sentence. For these works–presumptively under copyright but no longer in print–to require permission first is to guarantee invisibility. These works are, practically speaking, orphans. It is effectively impossible–at least at the wholesale level–to secure permission for any use that triggers copyright law.”
Lawrence Lessig’s, as always insightful essay on Google, copyright and our future.

Milton Glaser: Ten things I have learned

1 You can only work for people that you like.
2 If you have a choice never have a job.
3 Some people are toxic avoid them.
4 Professionalism is not enough or the good is the enemy of the great.
5 Less is not necessarily more.
6 Style is not to be trusted.
7 How you live changes your brain.
8 Doubt is better than certainty.
9 On aging.
10 Tell the truth.
full post here & a short documentary.

Design Imperialism

“A key point of failure in today’s global design landscape lies precisely in the jargon — we need to invent new ways of writing, talking and thinking about concepts of “humanitarian design”; we need new language that doesn’t homogenize entire cultures, new vocabulary that better reflects the intricate lace of the world’s biocultural and psychosocial diversity as a drawing board for design.” Maria Popova on The Language of Design Imperialism. Insightful.

Of Frog Wines and Frowning Watches: Semantic Priming, Perceptual Fluency and Brand Evaluation

“Visual features that have no meaningful association with the product itself can actually make consumers like the product, provided that these features are something that the consumer can easily identify with.This means that critters on wine labels, however odd that may be, can be a good sales strategy. It allows a marketer to target a certain consumer by using images on labels that represent an important aspect of that customer’s life. Moreover, there are potentially many ways to make that label as unique as possible because a logo would be chosen based on who the target customers are and not on what that product is.” Building a Better Brand: How feelings shape product evaluation.

The Sins of St. Paul

“I did not know Paul Rand. I did not work for him or study under him. My understanding of his importance, then, has been gained in the same way as students and practitioners in years to come will gain theirs: through books like Modernist Design. (…) So it’s with some trepidation that I wonder if I might lodge a few complaints about Mr. Rand as a model for graphic design practice. But here goes.” M. Bierut on Paul Rand.

“Any design student could do a better job”

“I never knew a designer that got hundreds of thousands of dollars to design a logo. Mostly, designers get paid to negotiate the difficult terrain of individual egos, expectations, tastes, and aspirations of various individuals in an organization or corporation, against business needs, and constraints of the marketplace. This is a process that can take a year or more. Getting a large, diverse group of people to agree on a single new methodology for all of their corporate communications means the designer has to be a strategist, psychiatrist, diplomat, showman, and even a Svengali.
The complicated process is worth money. That’s what clients pay for. The process, usually a series of endless presentations and refinements, persuasions and proofs, results, hopefully, in an accepted identity design”
What they don’t teach you about identity design by Paula Scher.

Steven Heller on Olympic Pictograms

Briefly and to the point (& video): Olympic Pictograms Through the Ages.

Quiet logos

“Lindstrom suggests that too much messaging on a product’s packaging can actually prevent a sale. Logos and words can engage the rational mind, causing people to actually think harder about making a purchase. It’s a counter-intuitive notion, but then think about the effectiveness of the quiet logos on a bottle of POM Wonderful pomegranate juice, or a Method product, or the entire Apple product line up.” The Myth of the Rational Buyer: How Too Much Thinking Can Hurt Your Brand

Meetings, the Google way

Not exactly on the main subject of this blog, but hey, branding actually IS about meetings. Meetings, the Google way:
1. Set a firm agenda. 2. Assign a note-taker. 3. Carve out micro-meetings. 4. Hold office hours.
5. Discourage politics, use data. 6. Stick to the clock. [via: supervolatile]

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